Lesson 8 of 11ViolinIntermediate

About Resonance

Simon Fischer explains how your instrument's hollow body resonates the notes you play, and how to work with that resonance across different note lengths.

Part of the courseThe Secrets of Tone Production Part 1: Knowing your Instrument11 lessons (0h 42m)

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What's in the course

11 lessons (0h 42m) · 1 free
    • 01. Introduction

      0:49

    • 02. Four ways to approach the exercises

      2:14

    • 03. Five soundpoints

      Free lesson

      4:39

    • 04. The bow-hair and the string

      5:18

    • 05. Bow-pressure & pitch

      0:48

    • 06. Bow-pressure & string length

      2:13

    • 07. The tilt of the bow

      4:14

    • 08. About Resonance

      You are here

      3:15

    • 09. Not following the line of least resistance

      2:24

    • 10. Quality of sound: upper partials

      2:14

    • 11. Proportions

      14:04

Lesson transcript

Understanding the Resonance of String Instruments

The body of a string instrument is a resonating box. If it were made of solid wood instead of being hollow, the sound of the bowed string would be small and thin.

The Role of the Bridge

The bridge transmits the vibrations down into the resonating box, where they are amplified.

  • Using your knuckles, gently tap the body.

    • Listen to the sound of each tap resonating through the instrument. This is a nice thing to do.
  • Using your fingernail, scratch the top of the bridge lightly between the strings and listen to how the sound is amplified.

    • If you make the same scratching movement on something solid, like a tabletop, you can't hear anything.

You can hear this background resonance in every note you play.

Playing and Listening

  1. Play a short note and listen to the ring.

    • You can hear how the note continues to ring on after the end of the bow stroke.
  2. The Question: What happens to that ring during a longer note?

    • If you listen carefully, you can hear two distinct sounds:
      • The sound of the fundamental note
      • A continuous background ring, which is like a distinct note ringing on its own.

Many players listen only to the fundamental sound, the sound of the string vibrating from the contact with the rosin bow hair.

  • The moment they start to focus on the background echo as well, an entirely new quality comes into the playing.

Practical Tips

  • Use all the bow.
  • Tim, are you touching the D string? Because I can hear it really ringing.
  • Let's hear just the A string.
    • That's good.

But, Tim, I'll tell you something else.

  • There are two distinctly different sounds you can listen to:
    • One is the principal note, the fundamental note, the string vibrating.
      • There's all that sound of the actual beginning of the note.
    • But there's another sound, which is the resonance, the echo.
      • This is a resonating box. You need to make it really resonate.

So this time, really focus on not the principal sound, the fundamental sound, but the background ring. See what happens.

Very good. Great. So interesting. You know, you do that, and although you weren't trying to, I can immediately see the string going so much wider in amplitude.

Excellent.

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Meet your guru

Simon Fischer

Simon Fischer

Simon Fischer enjoys a distinguished and wide-ranging career as a performer, educator and recording artist.

He has performed worldwide as a recitalist, and committed three Brahms Sonatas to record, a recording that received high praise in Gramophone Magazine.

Simon is recognised as having a place amongst the world's elite teachers. He is a professor at the Guildhall School of Music, and has held positions at the Yehudi Menuhin School, Wells Cathedral School and the Purcell School, and for 15 years was a visiting professor at the Royal Scottish Academy of Music. Having studied in London with Yfrah Neaman, and in New York with Dorothy DeLay, Fischer's approach unites the best elements of the French, Russian and American violin traditions.

Fischer's published work greatly influences the teaching of the violin. Having written for The Strad magazine since 1991, his monthly articles have attracted a worldwide following. Published by Edition Peters, his technique books Basics and Practice (translated into Korean, Italian and German), Scales and The Violin Lesson, and the DVD The Secrets of Tone Production (now available to stream via MusicGurus), have become standards on many continents. His book and DVD Warming Up was described by The Strad magazine as "23 pages of pure technical gold".

In 2014 Simon Fischer was awarded the European String Teachers Association prize "In celebration of a lifetime contribution to String Teaching".

In his four-part Secrets of Tone Production course, Simon guides you through getting to know your instrument and then working through his fundamental tone exercises step by step, so you can produce a richer, more controlled and more beautiful sound on the violin.

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