Under the Radar (Indie) - Walkthrough
Learn "Under the Radar," an indie track with layered dynamics and syncopation. Sophie explains how to lock in with the bassline and develop grooves that emphasize musicality and precision.
Preview
# Music Lesson: "Under the Radar" - Classic Rock Groove
With the indie piece **"Under the Radar,"** we're starting the song and finishing it with quite a classic rock groove.
## Basic Groove Structure
- **Hi-hat:** Eight notes
- **Bass drum:** Plays on beats 1 and 3
- **Snare drum:** Plays on beats 2 and 4
The groove reduces in the middle of the piece to play fewer notes before we build back up to that classic groove. Let’s explore that journey.
## First Line
- **Bars 1 and 3:** Classic rock patterns.
- **Bar 2:** Snares drop out.
- **Bar 4:** Features a nice little drum fill.
**Drum Fill Breakdown:**
- Mark beat 1 with the hi-hat and bass drum.
- Follow with a **quarter note rest.**
- Hit snares on beats 3 and 4.
### Sticking Patterns
- As a starting point, if you're right-handed:
- Play the numbers with the **right hand**
- Play the "ands" with the **left hand**
**Counting Example:**
1 and 2 and 3 and 4
For variation, try this sticking pattern for the snares in bar 4:
- Beat 3: Left hand
- Beat 4: Right hand
- And of 4: Left hand
### Counting for Feel
Try counting as follows to feel the space:
1, 2, 3, 4,
1 and 2 and 3 and 4
### Note on Sticking
At this stage, avoid playing three snares in a row with the same stick to work on balance and single strokes.
## Second Line
Unusually, the song reduces slightly here:
- **From eighth notes to quarter notes.**
### Snare Activity
- Not much snare activity until **bar 4** where we have snares on beats 4 and the “and” of 4.
- **Right-handed players:** Choose to play those snares **right, left** to lead back into the hi-hat at the beginning of the third line.
### Observations
- There is a lot of space with rests in the snare and bass drum parts.
- Hi-hats serve as the primary timekeeper; not much to flag up in the third line.
- Watch for the reintroduction of the snare in the **fourth bar** of the third line.
## Last Line
The last line is fairly similar to the first line, but pay attention to:
- **End of bar 3:** Two snares on beat 4 and the “and” of 4 leading into beat 1 where we finish the piece with the hi-hat and bass drum.
### End of Piece Breakdown
**Last two bars example:**
1, 2, 3, 4
### Using Crash Cymbals
If you feel adventurous and your crash cymbals haven't been played much, you can choose to end the last note with a crash cymbal.
- This mimics the sound you'd hear when playing with a band, similar to songs you enjoy.
**Ending with Crash:**
- Let the crash ring out; mute it with your hand if necessary while talking to someone.
- If playing with a guitarist and bassist, you may want to stop the crash at the same time they finish their phrases.
### Mute Technique
To mute the cymbal:
- Use the other hand to stop the vibrations.
**Practice example:**
- Mute it on beat four:
1, 2, 3, 4
1, 2, 3, 4
Control the length of the crash sound, especially as you incorporate it into your final ending. This could be a nice touch to your performance!
About the instructor
RSL Awards (Rockschool) is the world's foremost awarding body for contemporary Arts. It is known for its groundbreaking approach to popular music education, with learning material for guitar, drums and piano perfeced over decades.
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