Exploring Jazz Piano - Part 2
with Tim Richards
- Sample Lesson Free
- CHAPTER 4: FUNCTIONAL HARMONY AND MODES
- Section 1: Seventh Chords in the Major Scale
- Scale-tone Chords & Two Handed Voicings
- OPEN UP - Performance
- Modal Improvisation
- The II-V-I Sequence
- Section 2: The Diatonic Cycle
- The Diatonic Cycle
- Brazilian Rhythms
- BOSSA NOVA COMPING #1 - Performance
- Major & Minor Sixth Chords
- FLY ME TO THE MOON - Performance
- Secondary Dominants
- Horizontal & Vertical Improvisation
- Opening out Left-hand Chords
- AUTUMN LEAVES - Performance
- Syncopating the melody
- The Blues Scale
- Section 3: The II-V-I Progression
- Shells
- ORNITHOLOGY - Performance
- Turnarounds and Vertical Improvisation
- Two-handed Comping
- Long & Short II-V-Sequences
- II-V-I Cycles
- II-V-I ARPEGGIO WORKOUT - Performance
- Using Chromaticism and Encircling
- Fake Books & Lead Sheets/II-V-I Sequences in Jazz Standards
- Endings
- Section 4: Modes
- Rootless chords: 3-note shapes
- II-V CYCLE with DORIAN SCALES - Performance
- Embellishing Scales
- Section 5: CHECKPOINT - Modes Review
- The 7 Modes on the Same Root + Modes Quiz
- CHAPTER 5: NINTH CHORDS
- Section 6: Major Ninth Chords
- Extensions and Major Ninth Chords
- STILL DREAMING - Performance/Improvisation
- The Six/Nine Chord & Quartal Harmony
- Using Pentatonic Scales over Major Chords
- Pentatonic Scale patterns
- Section 7: Dominant Ninth Chords
- Dominant Ninth Chords
- FUNKY TWO-FIVE - Performance
- The Blues Scale and Top Harmony
- The Flat Three Pentatonic Scale
- Ear Training
- Two-handed Voicings
- Section 8: Minor Ninth Chords
- Minor Ninth Chords
- CLOUD NINE - Performance/Improvisation
- More Minor Ninth Shapes
- SONG FOR MY FATHER - Performance
- Horace Silver's Solo - Motifs & Forward Motion
- Scales in Double Thirds
- Section 9: Other Minor Scales and Chords
- The Minor Six/Nine Chord
- ORINOCO - Performance
- The Phrygian Mode
- Major and Minor Tonic Chords and Scales
- WHITE RUSSIAN - Performance
- Melodic and Harmonic minor improvisation
- Section 10: I-VI-II-V Sequences
- I-VI-II-V Sequences: Turnarounds & Bridges
- Descending bass Lines
- IN A SENTIMENTAL MOOD - Performance
- Tritone Substitution
- Section 11: Block Chords
- Shearing Block Chords
- Drop Two Voicings
- Section 12: CHECKPOINT Ninth Voicings
- Ninth Voicings Review
- Congratulations on finishing the course!
Lesson plan (3h 36m)
This course is the second one based on Tim Richards' 'Exploring Jazz Piano, Volume 1', which was awarded the prestigious Music Industries Association Award in 2006 for 'Best Pop Publication'. The overall level is intermediate.
In the course, Tim continues to teach and demistify the fundamental concepts you need to play jazz authentically on the piano, including classic one and two handed voicings, playing over common chord progressions, comping techniques and modal improvisation.
Other topics covered include: Bossa Nova style comping, improvising over II V I progressions, using the blues scale in a Jazz context, varying the melody, major and minor 6th chords, rootless chords, shell chords, two handed comping, pentatonics, major and minor ninth chords, Tritone substitutions, Shearing block chords and many other topics essential for the budding jazz pianist.
The course is interactive and includes:
- - 60+ lessons with embedded figures and sheet music
- - 15+ songs and exercises for students to learn
- - interactive sheet music with ability to slow down and loop
- - interactive + downloadable backing tracks
- - downloadable PDFs
If you're looking for a detailed, comprehensive method to progress at jazz piano through to an advanced level, critics agree this is one of the best options available:
"I cannot praise it too highly... Vol. 1 and 2 together rank among the best instructional material that I have seen in the 21 years since Jazzwise started." - Charles Alexander, JAZZWISE Magazine
"Richards' approach is methodical, thorough and progressive. No shortage of useful information, much of it illuminated by the two well-played and well-produced backing tracks.. Years of fruitful and fascinating study to be had, and plenty of good advice." - Mark Gilbert, JAZZ REVIEW