Approaching the mix - housekeeping and leveling

With
Dov WatermanDov Waterman gets a session mix-ready - naming and colour-coding parts, grouping tracks and setting levels so nothing peaks before processing.
What's in the course
14 lessons (0h 33m) · 1 free
01. Intro to mixing and automation
Free lesson0:45

02. Finessing your track
2:52

03. Approaching the mix - housekeeping and leveling
You are here6:42

04. Widening the drum sound
3:47

05. Side-chaining
2:42

06. Pre-fade vs Post-fade metering
2:45

07. Quantizing & flex-timing
2:05

08. Checking levels, adding compression
1:18

09. Creative processing & effects
3:14

10. ASSIGNMENT: Track Alternatives
1:02
Lesson transcript
Mixing Approach: A Step-by-Step Guide
General Housekeeping
Before I put my mixing hat on, I like to get everything in order. Here are some general practices I follow:
-
Naming and Coloring:
- I'll name all the parts and color them for clarity.
- This helps me see what's actually going on in the mix.
-
Organization:
- My drums, effects, and other components are all color-coded and organized within their respective track folders.
Initial Mixing Process
When I start mixing, I usually focus on the drums first. Here's how I approach it:
-
Selecting a Drum Group:
- I often begin with the busiest section of the song to get the levels right.
-
Monitoring Levels:
- Always keep an eye on the levels, especially on the drum group. It's essential to avoid peaking.
- For instance, if I notice peaks in the levels, I'll adjust accordingly before adding any compression.
Mixing Basics 101
-
Watch Your Levels:
- Ensure your drum group does not peak.
-
EQ Considerations:
- Remember that boosting frequencies with EQ will increase the overall levels in your summing bus.
- If you're peaking, consider lowering the levels of your EQ settings instead of the track itself.
Equipment Used
-
Softube Console 1:
- I'm using this software emulation of an SSL G series console.
- It allows me to manipulate my channels easily.
-
Channel Configuration:
- For example, I'm currently on Channel 4, where I've set the input gain quite low.
Depth of Mixing
-
Drum Processing:
- I've added a compressor but opted out of additional EQ for the drums.
-
Next Steps:
- I'll move on to the snaps, which are quite low in the mix.
- I plan to boost the higher frequencies here without making them too nasally.
Adjustments and Final Thoughts
-
Boosting Frequencies:
- I'll adjust the gain slightly to add some drive and character, ensuring not to exceed the peak levels on the master bus.
-
Snare and Kick:
- I continuously monitor the overall levels from here to maintain balance in the mix.
By maintaining focus on these elements, I ensure a cohesive and well-balanced sound in my tracks.
14 lessons
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Meet your guru

Meet your guru
Dov Waterman is a composer, pianist and producer. He has written and designed sound for films including After Earth, Terminator Genisys, Transformers: The Last Knight and The Snowman, and works as a sample-library audio editor and sound designer with companies such as Native Instruments and SonoKinetic.
His Composition in Logic series walks through building a track end to end in Logic Pro - from templates and workflow to synthesis and beat programming, MIDI effects, editing and the final mix - for producers who want to turn their ideas into finished records.
















