Lesson 10 of 20Other Stringed InstrumentsBeginner

Most common chords

5:41
You can play a lot of bluegrass repertoire with just three chords, Tom introduces a major chord shape, and you can refer to the tablature for more.
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20 lessons (1h 18m) · 1 free
    • 01. Most common chords

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      5:41

    • 02. Strumming patterns

      2:49

    • 03. Chord shapes

      4:48

Lesson transcript

Understanding Chords for Bluegrass

The next thing I want to talk to you about is chords. Chords are really important to know when playing in a bluegrass band.

When you're not playing a solo or a lead, and when you're not playing countermelodies or what's called backup behind a vocalist, you'll be chopping chords and helping to keep time for the band. You'll actually be playing chords more than you're doing anything else in a band context.

Chord Basics

I won't get too much into the theory of how chords are constructed, but here's the short version:

  • A chord (specifically, a major chord) is three notes sounded together, forming a major triad.
  • Additionally, a minor triad is built on top of the major triad.

In a lot of bluegrass music, early country, and folk music, you can play many songs just by knowing three chords. Let's focus on the key of A and the three basic chords:

  1. A major
  2. D
  3. E

I'll have chord diagrams available on the website.

You can often play what's called an E dominant seventh, which looks like this:

  • Start with an E chord (E note of the E chord).
  • Take that down two frets (or a whole step) to get the flatted seventh.

This creates the tension that wants to resolve back to A.

Basic Bluegrass Chop

Now, let's get into more detail about how to make this chord. The chord I'm going to show you is the basic bluegrass chop, which produces a very percussive sound. In a bluegrass band, you'll be the closest thing they have to a drum, especially in a traditional context.

A Chord

To play an A chord:

  • Middle finger: Place it on the fifth fret of the E string (A note).
  • Index finger: Put it on the fourth fret of the A string.
  • Ring finger: Goes to the seventh fret of the D string.
  • Pinky: Reach all the way down to the ninth fret on the G string.

This combination creates the shape for the basic bluegrass major chord (A chord). It may be quite a stretch for you when you're learning it, but if you stick with it, you'll get the hang of it. Initially, you might feel some fatigue, but it will become easier over time.

D Chord

Now, to get the D chord, follow this process:

  • Move everything up in the same relationship.
  • Take the current shape off and retain the three fingers in the same formation.

For the D chord:

  • Middle finger: On the fifth fret of the A string.
  • Index finger: On the fourth fret of the D string.
  • Ring finger: On the seventh fret of the G string.

E Chord

To form your E chord:

  • Simply move your D shape up two frets.

So now you have:

  • D
  • E

By following these steps, you'll be well on your way to playing chords in a bluegrass band!

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Meet your guru

Tom Bekeny

Tom Bekeny

Tom Bekeny is a mandolinist, fiddler and seasoned mandolin teacher who has performed and taught in the U.S. and abroad for over 40 years - so when he breaks down how to play, you are learning from someone who has spent a lifetime both on stage and in the lesson room.

He was the mandolinist in such San Francisco Bay Area bands as Done Gone, Tenbrooks, and an early version of the Grant Street String Band with Laurie Lewis. He has appeared with Peter Rowan, the Rowan Brothers, David Grisman, George Cole, vocalist Lua Hadar, and Jerry Garcia. Tom has played mandolin with the highly acclaimed Kathy Kallick Band for almost 20 years and has held the fiddle spot with California's premiere traditional bluegrass band, High Country, since 1988. He has recorded with many of these groups and was featured in the Summer 2009 issue of Mandolin Magazine.

Tom also plays in the wildly popular trad bluegrass "jam" band, Bangers and Grass, alongside west coast bluegrass luminaries Jim Nunally, Steve Pottier, Bill Evans and Chad Manning.

Beyond bluegrass, Tom plays jazz mandolin with his trio The Missing Man Quartet (MM4), which plays straight-ahead jazz with original arrangements drawing material from the world of jazz and Great American Songbook standards. He released a solo CD project ("Jazzolin") in 2013, on which he plays mandolin and fiddle backed by drums and bass.

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