Bach - Works for Solo Violin and Cello
with Rachel Podger
- Sample Lesson Free
- Bach Partita for Solo Violin No. 2 in D Minor
- Sarabande, Gigue performance
- Sarabande, Gigue analysis with Rachel Podger
- Chaconne performance
- Chaconne analysis with Rachel Podger
- Interview
- Rachel Podger interview
- Bach Partita for Solo Violin No. 3 in E Major
- Prelude, Loure, Gavotte en Rondeau performance
- Prelude, Loure, Gavotte en Rondeau analysis with Rachel Podger
- Bach Cello Suite No. 3 in C Major
- Bourrée I, Bourrée II, Gigue performance
- Bourrée I, Bourrée II, Gigue analysis with Rachel Podger
- Bach Cello Suite No. 5 in C Minor
- Minor, Prelude performance
- Minor, Prelude analysis with Rachel Podger
Lesson plan (2h 38m)
Rachel Podger is one of the most creative talents to emerge in the field of period performance. Over the last two decades she has established herself as a leading interpreter of the music of Baroque and Classical periods and holds numerous recordings to her name ranging from early seventeenth century to Mozart. Rachel's recordings of J.S.Bach's Sonatas and Partitas for Solo Violin and his Sonatas for Violin and Harpsichord ( with Trevor Pinnock)were both awarded first place by the BBC's 'Building a Library' programme.
Teaching is also a significiant part of Rachel musical life. She is a professor of Baroque Violin at the Royal academy of Music in London where she is also an Honorary Member.
In this masterclass, she presents two works by Bach. First, Partita No. 2 in D Minor, in five movements, particularly known for its fifth movement, the "Chaconne." Then, a very long and rich score, Bach's Partita No. 2, which requires a great musical sensitivity and virtuosity. It is a Major work of the solo violin repertoire of that time, just like the Partita No. 3 in E Minor, the last work in the set of six Sonatas and Partitas, and probably the most famous. Its prelude, prompt and technical, is the most played, with the famous Loure.
Composed between 1717 and 1723, the Six suites for unaccompanied cello are also presented, along with the Cello Suite No.3 in C Major and the Cello Suite No.5 in C Minor. Considered key works in the cello repertoire, they have been played by the greatest cellists. They are particularly recognized for their pedagogical value, as Bach included all the polyphonic characteristics of the instrument.
Students: Colin Scobie, Violin; George Clifford, Baroque Violin; Violeta Barrena, Violin; Hetti Price, Baroque Cello; Vladimir Waltham, Baroque Cello
In partnership with The Masterclass Media Foundation Archives, which provides a valuable educational resource in order to perpetuate musical passion and knowledge from one generation to another. [MMF043]